:: Directing and previs authoring. Created short super-previs demo for an upcoming Animated Feature. Advanced image complexity featuring textured models allowed more precise estimation of time required to visually percieve each and every shot, which resulted in very accurate timing. Secondly - colors, lighting, and textures allowed accurate placement of "visual mass" within layout - making it easier during editing process to provide visual fluency in storytelling.

:: Directing and previs authoring. This pitch-ready super-previs features specific visual solutions in scenes that are pivotal for story development. Orchestration of movement, cameras, music, and editing - are setting the unique visual language for the film. Such "visual bravery" that works - can be obtained only via relatively low-cost experimentation in super-previs stage, or with expensive "trial and error" camera coverage on live action set, followed with long editing sessions.

:: Directing, layout, camera animation, editing, and scratch sound editing. Objective was to create fighting sequence demo that can serve as pitch material for fantasy martial arts film, and look like combat-game game cinematic. Camera coverage during fight had to be directed in way which will allow later live action film shoot using normal crane/dolly equipment with minimal intervention in post. Source Motion Data originated from Centroid 3D Studio, and was edited/prepared by Richard Widgery of Kinetic Impulse.

:: Directing previs, previs animation, and scratch sound editing. Created high-quality pitch-ready storyboards and animatic. Using combination of Maya and Anark - Directed and authored 15 minutes of 3D super-previs for Genne Roddenburry's Starpoint academy, science fiction animation feature film in development. Super-previs of first two opening sequences were instrumental part of pitch to IDT entertainment and 20th Century Fox to obtain the greenlight for production.

:: Directing previs animation and editing. Created 10 minutes of 3D previs for animated feature film produced by John "Shrek" Williams. Served as DPSI's one-man-band previs department. Due to demanding break-neck speeds - used self-developed real-time 3D authoring tool - dubbed STORYTELL-R, scripted around game engine of Anark Studio.

:: Scriptwriting, storyboarding and concept art.

Script In Development. Script registered at Writers Guild of America, West.

Logline: Classified. Synopsis and first 20 pages of script available upon request.

:: Scriptwriting

Script In Development.

Logline: Classified. Synopsis and first 20 pages of script available upon request.

:: Scriptwriting, in cooperation with Dusan Strugar.

Script In Development. Script registered at Writers Guild of America, West.

Logline: Classified. Synopsis and first 20 pages of script available upon request.

:: Scriptwriting, storyboarding, and concept art - with Goran Delic.

Script In Development. Script registered at Writers Guild of America, West.

Logline: Classified. Synopsis and first 20 pages of script available upon request.

:: Scriptwriting and concept art

Script In Development. Script registered at Writers Guild of America, West.

Logline: Classified. Synopsis and first 20 pages of script available upon request.

:: Scriptwriting

Script In Development. Script registered at Writers Guild of America, West.

Logline: Classified. Synopsis and first 20 pages of script available upon request.

:: Post-previs consulting and editing. This short film takes some of the oldest Irish legends about forest faeries, and gives it a special horror spin. This low-budget short features 34 effects shots, all of them pre-planed in post-previs, allowing effective post on animation and creature effects. Superprevis crew helped create short trailer-like version of the film as well. Film won several awards on short-film festivals, and is currently being evaluated by Universal Studios to be expanded into a full feature film.